Regardless of whether she's writing for one of her own albums or for another artist, Chapman strives for the same free-associative approach. "I start by just hitting a chord on a guitar or a keyboard," she says. "The sound of that chord will subliminally suggest a melody line, which will then suggest a specific vowel sound. Usually I just sing nonsense syllables that fit the vowels I hear, though the final version of the song often winds up with the exact vowel sounds I started with. Eventually I have to tighten the song up and look at it from an intellectual angle, but not until after I've let the idea grow and mutate and become what it wants to be."
Some of Chapman's most successful songs were written on inexpensive Yamaha keyboards. "I love how those keyboards are totally accessible," she says. "If I'm in a creative songwriting mode, the worst thing for me would be to have to read a manual to figure out how to make a drum loop work. The song would never get written! But on the Yamaha keyboards, you just push a button, and you have a basic beat. You can just throw them in your car and take them to the beach." In fact, the beach is where Chapman and her collaborators wrote the Faith Hill mega-hit "This Kiss" on a Yamaha battery powered PSR keyboard.
"I've been using a PSR730," says Chapman, "but I'm also going to get a PSR8000 or 9000. They're all fantastic writing tools. Like guitars, they have songs inside them. The songs are already perfectly written-some of us are just lucky enough to be in the right place at the right time to download them." Chapman pauses, then chuckles. "Seeing it that way gets me off the hook when I'm having a bad writing day. I can just say, 'I must be standing in the wrong place.'"